Lying in south central Turkey, the moonscaped region of Cappadocia, southeast of Ankara, is most famous for unique geological features called fairy chimneys. The large, cone-like formations were created over time by erosion of the relatively soft volcanic ash around them. Past cultures have dug into them to create dwellings, castles (like Uchisar) and even entire underground cities like Kaymakli and Derinkuyu, used as hiding places by early Christians. Nearby Kayseri is the gateway to the area.
A look inside the physics of achieving high-pressure water for waterjet cutting
The energy required for cutting materials is obtained by pressurizing water to ultra-high pressures and forming an intense cutting stream by focusing this high-speed water through a small, precious-stone orifice. There are two main steps involved in the waterjet cutting process.
The Electric Servo Pump generally pressurizes normal tap water at pressure levels above 50,000 psi; to produce the energy required for cutting.
Water is then focused through a small precious stone orifice to form an intense cutting stream. The stream moves at a velocity of up to 3 times the speed of sound, depending on how the water pressure is exerted.
The process is applicable to both water only and abrasive jets. For abrasive cutting applications, abrasive garnet is fed into the abrasive mixing chamber, which is part of the cutting head body, to produce a coherent and an extremely energetic abrasive jet stream.
To achieve these pressures, water is introduced into the unit by way of a booster pump and filter. This filtering process is very important as water must be clean before reaching ultra-high pressures in order to protect the high-pressure parts and provide a consistent cutting stream.
A water treatment system is sometimes needed to remove harmful minerals from the water. After being filtered, the water enters the high pressure cylinder where it is pressurized to the desired level.
The water is then carried to either an abrasive or straight-water cutting nozzle, depending on the application. The cutting nozzle can be stationary or integrated into motion equipment, which allows for intricate shapes and designs to be cut. Motion equipment can range from a simple cross-cutter to 2D systems and 3D machines as well as multiple axis robots. CAD/CAM software combined with CNC controllers translate drawings or commands into a digitally programmed path for the cutting head to follow.Cutting harder materials requires adding a fine mesh abrasive to the cutting stream. Various abrasive materials which can be used include olivine, garnet, and corundum with a particle size of between 50 to 120 mesh. When abrasive is required, TECHNI Waterjet provides an abrasive unit consisting primarily of an abrasive hopper, an abrasive feeder system, a pneumatically controlled on/off valve, and the abrasive cutting nozzle which contains the specialized mixing chamber.
The abrasive is first stored in the pressurized hopper and travels to a metering assembly, which controls the amount of particles fed to the nozzle. The abrasive is then introduced into the cutting stream in a special mixing chamber within the abrasive cutting head. Abrasive cutting allows harder materials to be cut at a faster rate by accelerating the erosion process. After the cut, residual energy from the cutting stream is dissipated in a catcher tank, which stores the kerf material and spent abrasive.
Relationship Between Increased Pressure and Cutting Speed
As pressure increases the power requirement increases proportionately and therefore with a given amount of available power the flow rate must be proportionately reduced, by using a smaller orifice, as shown in the commonly used formula P (Power) = p (pressure) x q (water flow rate).
For example, a 50% increase in pressure will require a 50% increase in power unless there is an equivalent reduction in flow rate (using a smaller orifice). Higher pressure gives an increase in cutting speed for a given amount of power, as higher pressures and lower volumes result in higher velocity of the water leaving the cutting head, which is a more efficient transfer of power to kinetic energy (the energy used in the cutting process).
This efficiency comes about because increasing velocity is a more efficient way of increasing the kinetic energy stored in the particles of abrasive hitting the work-piece. This is illustrated through another commonly used formula E=M V², where by increasing the velocity has a squared affect on the kinetic energy, compared to increasing the mass which has a linear affect. Therefore, in theory if we increase the pressure by 50%, but decrease the volume by 33% we use the same amount of power but get an increase in the velocity of 50%, which has the effect of increasing the kinetic energy by 48.5%, as illustrated in the formula E=0.666 (33% reduction in water mass) x 1.5² (50% increase in velocity) therefore E = 1.485 (48.5% increase in kinetic energy). However, this illustration is only relevant for Water Only cutting, as the mass of the abrasive has not yet been taken into account.
Abrasive cutting dramatically increases the cutting capabilities of a waterjet by accelerating the abrasive particles at the work piece where each particle takes out a small gouge of the work piece material during impact. If all the abrasive particles were to hit the work piece in the same condition, but at the higher velocity, the same equation as above would be true. However, the major factor that affects what actually happens is that the abrasive particles get smashed to a very fine powder when hit by the high velocity water stream during the initial introduction of the abrasive to the stream, and more gets destroyed throughout the focussing tube 1 The intensity of the disintegration of the abrasive particles depends on the water pressure. The result is that at 60,000psi, only about 45% of the abrasive material reaches the work piece in an affective cutting condition. This % drops to about 22% (or less depending on the quality of abrasive) at 90,000 psi. The net result is that there is therefore only a very small net increase in cutting speed when pressure is increased, for an equivalent amount of power.This can be illustrated in simplified terms for 60,000psi as E=0.45 (45% effective garnet) x 1² therefore E=0.45, and 90,000psi as E=0.22 (22% effective garnet) x 1.5² (50% increase in velocity) therefore E=0.49, or a 9% increase in cutting speed for a 50% increase in pressure.
The Cost of Higher Pressures
Another important consideration before deciding to increase pressure is the significant increase in the capital cost, maintenance cost, consumable cost and increased machine downtime.
Pressure (also known as force or load) has a non-linear relationship with fatigue-related wear, and for many mechanical machine components, it has a cubed (x³) relationship. For example, the ISO formula for calculating bearing wear is
L = (C/P)3 L = life C= rated load P = actual load
That means that a 50% increase in pressure will reduce the design life of many mechanical components by about 70% or adversely by reducing pressure by 33%, say from 90,000psi to 60,000psi, the life of many components will increase by 330%.
As a result, in order to make pumps and cutting heads that last for reasonable amounts of time at extreme pressures like 90,000psi, manufacturers are forced to use very expensive exotic materials, because metal fatigue becomes the dominant failure mechanism.. The cost of components and consumables that experience high pressures over 66,000psi (such as dynamic and static seals, check valves, tubing and high- and low-pressure cylinders) are therefore typically 50-300% higher than standard waterjet components.
The other factor in the pricing of such components is competition, as only a few manufacturers are currently capable of producing those parts that are resistant to wear and failure at high pressures. As a consequence, the competition to bring down prices doesn’t yet exist.
For instance, a standard focussing tube rated to 60,000psi sells for approx. $100, while a 90,000psi rated tube sells for around $300. Moreover, even with the more exotic and expensive components designed for 90,000psi, their life remains well below that of traditional waterjet parts operating with up to 60,000psi. This means increased down time and higher maintenance labour costs, on top of the higher component prices and more frequent part replacements.
Lithium aluminium hydride, commonly abbreviated to LAH, is an inorganic compound with the chemical formula LiAlH4. It was discovered by Finholt, Bond and Schlesinger in 1947. This compound is used as a reducing agent in organic synthesis, especially for the reduction of esters, carboxylic acids, and amides. The solid is dangerously reactive toward water, releasing gaseous hydrogen (H2). Some related derivatives have been discussed for hydrogen storage.
LAH is a colorless solid, but commercial samples are usually gray due to contamination.This material can be purified by recrystallization from diethyl ether. Large-scale purifications employ a Soxhlet extractor. Commonly, the impure gray material is used in synthesis, since the impurities are innocuous and can be easily separated from the organic products. The pure powdered material is pyrophoric, but not its large crystals. Some commercial materials contain mineral oil to inhibit reactions with atmospheric moisture, but more commonly it is packed in moisture-proof plastic sacks.
LAH
violently reacts with water, including atmospheric moisture. The
reaction proceeds according to the following idealized equation: LiAlH4 + 4 H2O → LiOH + Al(OH)3 + 4 H2
This reaction provides a useful method to generate hydrogen in the laboratory. Aged, air-exposed samples often appear white because they have absorbed enough moisture to generate a mixture of the white compounds lithium hydroxide and aluminium hydroxide. LAH crystallizes in the monoclinic space group P21/c. The unit cell has the dimensions: a = 4.82, b = 7.81, and c = 7.92 Å, α = γ=90° and β=112°. In the structure, Li+ centers are surrounded by five AlH−4 tetrahedra. The Li+ centers are bonded to one hydrogen atom from each of the surrounding tetrahedra creating a bipyramid arrangement. At high pressures (>2.2 GPa) a phase transition may occur to give β-LAH. X-ray powder diffraction pattern of as-received LiAlH4. The asterisk designates an impurity, possibly LiCl. Preparation LiAH was first prepared from the reaction between lithium hydride (LiH) and aluminium chloride:
4 LiH + AlCl3 → LiAlH4 + 3 LiCl
In addition to this method, the industrial synthesis entails the initial preparation of sodium aluminium hydride from the elements under high pressure and temperature:
Na + Al + 2 H2 → NaAlH4
LiAlH4 is then prepared by a salt metathesis reaction according to:
NaAlH4 + LiCl → LiAlH4 + NaCl
which proceeds in a high yield of LAH. LiCl is removed by filtration from an ethereal solution of LiAH, with subsequent precipitation of LiAH to yield a product containing around 1% w/w LiCl.
Tom Stall is living a happy and quiet life with his lawyer wife and their two children in the small town of Millbrook, Indiana, but one night their idyllic existence is shattered when Tom foils a vicious attempted robbery in his diner. Sensing danger, he takes action and saves his customers and friends in the self-defense killings of two-sought-after criminals. Heralded as a hero, Tom's life is changed overnight, attracting a national media circus, which forces him into the spotlight. Uncomfortable with his newfound celebrity, Tom tries to return to the normalcy of his ordinary life only to be confronted by a mysterious and threatening man who arrives in town believing Tom is the man who's wronged him in the past. As Tom and his family fight back against this case of mistaken identity and struggle to cope with their changed reality, they are forced to confront their relationships and the divisive issues which surface as a result.
Rating:
R (for strong brutal violence, graphic sexuality, nudity, language and some drug use)
Genre:
Action & Adventure,Drama,Mystery & Suspense
Directed By:
David Cronenberg
Written By:
Josh Olson,Josh Olsen
On DVD:
Box Office:
$31,500,000.00
Runtime:
Studio:
New Line Cinema
ஒரு
அமைதியான குடும்பம்... கணவன் ஒரு உணவகம் நடத்துகிறார்... , 2 கொலைகாரர்கள்
உணவகத்தில் புகுந்து கலாட்டா செய்கிறார்கள்... உணவகத்தில் வேலை செய்யும்
பெண்ணை பலாத்காரம் செய்ய முயல்கையில் ஜஸ்ட் லைக் தட் அவர்கள் இருவரையும்
போட்டு தள்ளுகிறார்...
ஊரே அவரை ஹீரோவாக பார்க்கிறது.. ஆனால்
மீண்டும் பிரச்சனை வேறு ரூபத்தில் வருகிறது ஒரு டான் கும்பல் வந்து அவரை
வேறு பெயர் சொல்லி அழைக்கிறது... வேறு ஒரு கடந்த காலம் அவருக்கு
இருப்பதாக சொல்கிறது... அவரை அழைத்து போக முயற்சிக்கிறது.. அப்பொழுது
நடக்கும் சண்டையில் மீண்டும் அந்த குழுவை சேர்ந்த 3 பேரை அசால்ட்டாக போட்டு
தள்ளுகிறார்... அவரின் செயலை பார்த்து மனைவிக்கு சந்தேகம் வர... ,"நீங்க
யாரு பாம்பேல.. த...சீ.. பிலடெல்பியாவில் நீங்க என்னவா இருந்தீங்கன்னு
கேக்குறாங்க"...
உண்மையில் அந்த டான் குழுவின் 'தலை'களில் இவரும்
ஒருவர்.. வன்முறை பிடிக்காமல் அடையாளம் மாற்றி இங்கு வந்து அமைதியான
வாழ்க்கை வாழ்வதாக... உண்மையை சொல்கிறார்... இதனால் குடும்பத்தில் குழப்பம்
நடுவில் அந்த குழுவில் இருந்து அழைப்பு.. 'நீ இங்க வர்றியா நான் அங்க
வரவான்னு மிரட்டல்..' யார்கிட்டயும் சொல்லாமல் கிளம்பி போறார்...
அந்த குழுவை சந்திக்கிறார்... அமைதியை விரும்புவதாக சொல்கிறார்.. ஆனால்
அவர்கள் இவரை கொல்ல முயற்சிக்க.. அவர்களுடனான சண்டையில் அவர்களாய்
வென்றாரா... குடும்பம் என்ன ஆகிறது என்பதை படத்தில் பாருங்கள்.. ;) Interesting Movie.. :)
More than 80 years after it was first predicted scientists at Harvard turned hydrogen into metal, and it could revolutionize our planet.
They did it by subjecting hydrogen to extremely high pressures, which changed it from a liquid to a solid.
The resulting material could be used as a superconductor, which would work at room temperature.
This would save lots of energy and money because current superconductors only work at below -269°C.
It could also be used to make MRI scanners and power lines cheaper and more efficient too.
In 1935, scientists predicted that the element hydrogen could become a metal if subjected to enough pressure. Teams have been attempting to confirm the prediction ever since, but have not been able to construct a vise capable of squeezing the element enough without breaking the equipment.
But a team of scientists at Harvard University published a paper this week in the peer-reviewed journalSciencesaying they managed to squeeze hydrogen in a diamond vise to the point that the element became reflective, a key property of metals.
The study is not merely a parlor trick. Metallic hydrogen is thought to be a superconductor, meaning it could conduct electricity without any resistance. Electricity traveling through normal circuits loses energy to resistance over time, often in the form of heat. This is why it is harder to send electrical currents (say, through the electricity grid) over long distances than short ones. But a current traveling through a superconducting material loses nearly zero energy.
Superconductive metals are used to make the magnets for devices such as hospital MRI machines and particle accelerators such as CERN. The trouble with many superconductors is that the materials now used need to be cooled to extremely low temperatures in order to work, which is expensive.
It is also possible that metallic hydrogen material may be "metastable," according to Science Magazine. This means that, once formed, it may retain its metallic properties even at normal temperatures and pressure levels, like diamonds. If so, it could conduct electricity at nearly 100 percent efficiency in normal conditions. Again, this could dramatically reduce the costs of transferring electrical currents, meaning more powerful and efficient electric motors, and a far more efficient electrical grid.
Scientists have been searching for such a material almost as long as they have known about superconductivity.
Of course, the study has its critics. Eugene Gregoryanz, a physicist at the University of Edinburgh, toldScience Magazinehe sees a several problems with the experiment's procedures.
"The word garbage cannot really describe it," said Gregoryanz, of the experiment.
The video below, from Harvard, discusses the discovery in detail:
The entrance to the Great Pyramid is on the north side, about 59 feet (18 metres) above ground level. A sloping corridor descends from it through the pyramid’s interior masonry, penetrates the rocky soil on which the structure rests, and ends in an unfinished underground chamber. From the descending corridor branches an ascending passageway that leads to a room known as theQueen’s Chamber and to a great slanting gallery that is 151 feet (46 metres) long. At the upper end of this gallery, a long and narrow passage gives access to the burial room proper, usually termed theKing’s Chamber. This room is entirely lined and roofed with granite. From the chamber two narrow shafts run obliquely through the masonry to the exterior of the pyramid; it is not known whether they were designed for a religious purpose or were meant for ventilation. Above the King’s Chamber are five compartments separated by massive horizontal granite slabs; the likely purpose of these slabs was to shield the ceiling of the burial chamber by diverting the immense thrust exerted by the overlying masses of masonry.
Soundarya Lahari meaning waves of beauty consists of two parts viz. Ananda Lahari meaning waves of happiness (first 41 stanzas) and Soundarya Lahari(the next 59 stanzas). It is believed that Lord Ganesha himself has etched the Ananda Lahari on Mount Meru(Some people believe that Sage Pushpa Dhantha did the etching).It was read from there by Sage Gouda Pada who taught it to Adhi Sankara. Adhi Sankara himself added the rest of the 59 stanzas and completed it.
These 100 stanzas are supposed to be the foremost among Manthra literature. It is also believed that by Making suitable Yanthras and reciting particular stanzas and worshipping the yantras almost anything can be obtained in the world .There are more thn 36 commentries to Soundarya Lahari written in Sanskrit itself.Of them the most famous is that written by Lakshmi Dhara alias Lalla,His commentary is used to understand the meaning of the different verses.Though there are large number of translations and commentaries of Soundraya Lahari available this is perhaps the first time an attempt is made by a mere novice to translate them in to English verse. The aim is to bring to the notice of the devotes who know English better than other languages , the majesty of the medium of worship called Soundarya Lahari.A transliteration in roman script is also given. May all those who read this be drenched forever by this “Wave of happiness”
Part I – Ananda Lahari (The waves of happiness)*
1 Shivah shakthya yukto yadi bhavati shaktah prabhavitum Na chedevam devo na khalu kusalah spanditumapi; Atas tvam aradhyam Hari-Hara-Virinchadibhir api Pranantum stotum vaa katham akrta-punyah prabhavati
Lord Shiva, only becomes able. To do creation in this world. along with Shakthi Without her, Even an inch he cannot move, And so how can, one who does not do good deeds, Or one who does not sing your praise, Become adequate to worship you Oh , goddess mine, Who is worshipped by the trinity.
2
(Attracting all the world)& Taniyamsam pamsum tava carana-pankeruha-bhavam Virincih sanchinvan virachayati lokan avikalam; Vahaty evam Shaurih katham api sahasrena shirasaam Harah samksudy’ainam bhajati bhajati bhasito’ddhalama-vidhim. Lord Brahma ,the creator of yore, Selects a dust from your feet, And creates he this world, The great Adisesha* with his thousand heads, Some how carries a dust of your feet, With effort great, And the great Lord Rudra, Takes it and powders it nice, And uses it as the holy ash.
3 (Attainment of all knowledge) Avidyanam antas-timira-mihira-dweeppa-nagari Jadanam chaitanya-stabaka-makaranda-sruti jhari Daridranam cinta-mani-gunanika janma-jaladhau Nimadhanam damshtra mura-ripu-varahasya bhavati.
The dust under your feet, Oh Goddess great, Is like the city of the rising sun, That removes all darkness , unfortunate, From the mind of the poor ignorant one, Is like the honey that flows , From the flower bunch of vital action, To the slow witted one, Is like the heap of wish giving gems, To the poorest of men, And is like the teeth of Lord Vishnu In the form of Varaha, Who brought to surface, The mother earth, To those drowned in this sea of birth.
4 (Removal of all fears, Curing of diseases) Tvad anyah paanibhyam abhaya-varado daivataganah Tvam eka n’aivasi prakatita-var’abhityabhinaya; Bhayat tratum datum phalam api cha vancha samadhikam Saranye lokanam tava hi charanaveva nipunav..
Oh, She who is refuge to all this world, All gods except you mother, Give refuge and grants wishes, Only by their hand. But only you mother Never show the world in detail, The boons and refuge that you can give, For even your holy feet will suffice, To remove fear for ever, And grant boons much more than asked.
5 (Attracting of sexes to each other) Haris tvam aradhya pranata-jana-saubhagya-jananim Pura nari bhutva Pura-ripum api ksobham anayat; Smaro’pi tvam natva rati-nayana-lehyena vapusha Muninam apyantah prabhavati hi mohaya mahatam.
You who grant all the good things, To those who bow at your feet, Was worshipped by the Lord Vishnu, Who took the pretty lovable feminine form, And could move the mind of he who burnt the cities, And make him fall in love with him. And the God of love , Manmatha, Took the form which is like nectar, Drunk by the eyes by Rathi his wife, After venerating you, Was able to create passion , Even in the mind of Sages the great.
6 (Getting sons as progeny) Dhanun paushpam maurvi madhu-kara-mayi pancha visikha Vasantaha samanto Malaya-marud ayodhana-rathah; Tatha’py ekah sarvam Himagiri-suthe kam api kripaam Apangat te labdhva jagadidam Anango vijayate
Oh ,daughter of the mountain of ice, With a bow made of flowers, Bow string made of honey bees, Five arrows made of only tender flowers, With spring as his minister, And riding on the chariot of breeze from Malaya mountains The god of love who does not have a body, Gets the sideways glance of your holy eyes, And is able to win all the world alone.
7 (Seeing the Goddess in person, Winning over enemies) Kvanat-kanchi-dama kari-kalabha-kumbha-stana-nata Pariksheena madhye parinata-sarachandra-vadana; Dhanur banan pasam srinim api dadhana karatalaii Purastad astam noh Pura-mathitur aho-purushika.
With a golden belt, Adorned by tiny tingling bells, Slightly bent by breasts like the two frontal globes Of an elephant fine, With a thin pretty form, And with a face like the autumn moon, Holding in her hands, A bow of sugar cane , arrows made of flowers, And the noose and goad, She who has the wonderful form, Of the ego of the God who burnt the three cities, Should please come and appear before us.
A new awakening is taking place, a resurfacing of ancient truths — an inner alchemy - a merging of the divine feminine and divine masculine that religious dogma has enshrouded for centuries. A divine union relationship—is a co-creative partnership of equality. To experience the Divine Union in all its power and beauty is to participate in the dance of creation. The child of cosmic birth is referred to in alchemy as the True Self, and it is created from a union known as the sacred marriage of dualities.
The One Living Light LogoIn the Greek alphabet, the letter Delta (triangle/triune) was the symbol for cosmic birth. The triangle can represent father/mother/child or the Perfect Union of the Two that creates the Third or the perfect union when two become one.
The union of masculine and feminine polarities is fundamental in the quantum physics of creation. The two polarities, the magnetic (female) and electric, (male) coming together to form a trinity. This geometry occurs when a planet is being born and when the first 2 cells of a human being form in the womb and the creation of Light. We need both the feminine and masculine in equal proportions for creation to occur and to keep all life in balance.
The lack of acknowledgment of the divinity of the feminine has created a state of imbalance that permeates all life. Feelings of inequality have set up boundaries between women and men. These imbalances and difficulties come about as a result of our internal beliefs and conditionings over eons of time. Our deeper higher self-knows a great re-awakening and shift is happening. For sacred union to occur—individually and globally—the illusion of separation has to be healed. We must dissolve duality and clear our energy channels of judgments. These judgments create disconnection from the feminine principles—from the body and emotions. We must reclaim the sacredness and spiritual union and embrace an alchemical relationship of co-creation.
Reclaiming the Feminine Receptivity is a key quality of feminine energy. When we think of receptivity, it seems to imply that we are receiving something from outside of us. However, the feminine quality of receptivity is actually about deeply receiving our Self. The Divine Feminine energy is also about inner flow and allowance, trust and intuition. These qualities are feminine in nature. Our physical body is earth and form. The emotional energy current running through the body is water. It is about believing in our inner worth as “Beingness,” and not basing it on the masculine equivalent of “doingness.” It is about balancing stillness and action. It is joining in an authentic way with ourselves and others and becoming whole. And through our wholeness, meet our counterpart that is you fully reflected as your other.
The Divine Feminine energy brings about a new honoring of the female spirit. It is empowerment and reclaiming our divinity as women. It gives back to men a balance. By opening their energy field, men through surrender and embodying the feminine principle of receptivity, begin to honor their feminine aspects more than ever before. Men begin to observe the feminine aspect with greater awareness and appreciation. Regardless of gender, a healing balance of peace, harmony and interconnectedness love for all, never experienced before on the planet, is beginning to occur. When we can deeply receive our self, we experience our own subtle energies flowing through our body. This deep receptive state requires surrender, trust and total self-acceptance.
One key thing that makes the dance of union sacred is the love and acceptance of Self. We must have total acceptance of Self to surrender deeply and allow full freedom of expression to occur. Through loving and accepting our Self, we open the door to the ecstatic experience of our Self. This means total acceptance of the body, emotions, every aspect of our-self, and beyond that—acceptance of our divinity.
Emotional Body The emotional body needs to be fully embraced. The feminine energy brings mastery of our emotions—a receptivity that allows us to feel the subtleties of our creative power. The emotional body, which has been suppressed and belittled, is the very thing we need for full mastery as conscious creators. We as men and women need to regain full connection with the emotional body. In so doing we experience the ecstatic bliss of sacred union to be fully experienced and expressed through the whole body.
By being so connected with our physical body and the tangible experience of it while simultaneously surrendering to the emotional body, we can allow the fluid energy of our emotions to flow freely through us. Having unconditional acceptance of our emotions, allows emotions to flow into balance in the Higher Heart—where transformation occurs, and we access our pure creative potential.
Surrender & Presence To experience a sacred unified field with a partner, one must first experience an inner alchemy, connecting with the internal qualities of feminine and masculine energy within one's self. Two important factors for bringing this experience into the body are Surrender and Presence—core energetics that must be experienced equally. Surrender being feminine energy and Presence being masculine energy, the equilibrium between them creates the place of pure potentiality—non-duality, void, a unified quantum field ~~~ Divine Sacred Marriage or Union within the self. The state of being truly present brings us into the full sensory experience. Surrender prepares us to receive divine impulse. When these essential elements of an ecstatic and powerful union are in the balance, a portal opens, and we can really feel our energy flowing. There is a lightness of being, and we feel as if we are being held – like we are Receiving energy instead of expending it. We feel connected to our heart and our truth as we are suspended in the effortless union while we stand sovereign in his and her own power. More:http://theonelivinglight.com/one-l…/divine-sacred-union.html
